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#SNOW ON THA BLUFF REVIEW CRACK#
This riveting account of thug life - the unglamorous, impoverished variety - is punctuated by constant profanity and undecipherable slang, occasional violence, steady drinking and weed or crack smoking. “They say drugs kill you,” he says to the camera, before disagreeing: “They help you out. We also learn about Snow’s business: selling drugs that are largely supplied, it seems, by ripping off other dealers at gunpoint during late-night raids. So we tour the Bluff while he introduces his crew, his baby mama and two toddlers, his grandmother, the street corner where his brother was fatally shot. The dealer, Curtis Snow, steals one other thing too: the idea of filming everything he does. A dealer approaches the car, smoothly talks his way in, directs them to a secluded street, then, pulling out a handgun, robs them of their money and - why not? - the camera. Someone needs to hold Cole’s hand through the revolution.From the start of “Snow on tha Bluff,” which runs without any introductory credits, this jolt of a film drops into a you-are-there crime scene: Three college students - one manning a video camera - drive into the Bluff, a run-down neighborhood in West Atlanta (actually, run-down is being kind), looking to buy drugs. Additionally, he’d like us to consider the possibility that expecting famous men to read (or perhaps even join a book club) before voicing their opinions is just too much to ask for. In essence, Cole would like Noname to be nicer to him and his black celebrity ilk when voicing her legitimate concerns about the failure of capitalism and the state. We may not agree with each other but we gotta be gentle with each other.” And I appreciate her and others like her because they challenge my beliefs and I feel that in these times that’s important. I haven’t done a lot of reading and I don’t feel well equipped as a leader in these times.
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Meanwhile a nigga like me just be rapping. She has done and is doing the reading and the listening and the learning on the path that she truly believes is the correct one for our people. “I love and honor her as a leader in these times. I accept all conversation and criticisms.”Ĭole went on to directly reference Noname and double down on his assertion that he’s not educated enough to be seen as a leader. That’s fine with me, it’s not my job to tell anybody what to think or feel about the work. Some assume to know who the song is about. “Right or wrong I can’t say, but I can say it was honest. “I stand behind every word of the song that dropped last night,” he wrote on Twitter. As backlash to Cole’s song mounted on Tuesday night, Noname briefly tweeted “QUEEN TONE,” before deleting this, too.Ĭole resurfaced on Wednesday morning to explain his intentions with the song. “Poor black folks all over the country are putting their bodies on the line in protest for our collective safety and y’all favorite top selling rappers not even willing to put a tweet up,” Noname tweeted in late May before later deleting. The Chicago artist has been skeptical of her peers’ lack of response as protests across the country call for justice after the police killings of George Floyd, Breonna Taylor, and countless others. The response was quick and brutal, with fans across social media connecting the dots to decide that “Snow On Tha Bluff” was a roundabout shot at rapper, activist, and book club organizer Noname. Cole is upset that a woman didn’t expend enough energy and sympathy to teach and critique him as if he were a child. Then the kicker arrives at the song’s climax: “If I could make one more suggestion respectfully/I would say it’s more effective to treat people like children.” At 35 years old, J. Being rich is actually hard, because he feels guilty that he’s not doing enough with his wealth. Despite going to college, he suggests, he’s not as deep or intellectual as everyone thinks he is. At the 48-second mark, the North Carolina rapper introduces his plight: “It’s something about the queen tone that’s botherin’ me.” From there, Cole unravels a tale about an unnamed woman upset at a variety of worthy targets - “crackers, capitalists, police,” but most importantly, in Cole’s case, “celebrities.”Īcross the four-minute song, Cole makes a litany of excuses.
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It was called “ Snow On Tha Bluff,” and it entered the world with all the confidence of a celebrity who feels they are of the people, while being above their reproach. Cole decided to release a song that he must have meant as a salve for this contentious moment.